My comedic style is observational, and I like to draw humor from everyday life situations. Influences include George Carlin for his keen societal observations and Richard Pryor for his raw, honest storytelling.

I usually try to engage them in a way that turns the situation into a part of the act. If it gets out of hand, I divert attention back to the main performance and let security handle any issues.

I keep a journal of funny ideas and observations. Then, I test them out in small shows and refine based on audience reactions. I also do a lot of rewrites to get the timing and delivery just right.

I reflect on what didn’t work and why. It’s important not to dwell too much and to keep pushing forward. Every comedian has off nights, and I use them as learning experiences.

Resilience is key. The industry is tough and you will face a lot of rejection and tough crowds. Being able to bounce back and keep improving is crucial.

Get on stage as much as possible. There’s no substitute for live performance in front of an audience. Also, study the greats but find your own voice, and always be writing new material.